"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

Mediterranée 2050: a Journey into the Future of the Sea

I first discovered the exhibition almost by chance, when a friend suggested we visit the aquarium in Monaco on our way back from a vacation and, as we approached the Musée Océanographique, your eyes might miss the towering poster on its facade: a luminous vision of a whale rising from a sea of electric blue.

The experience is an immersive exhibition: you are welcomed by the crew of the voyage, whose faces and voices appear on sleek panels that prepare you for departure as a spaceship, and then you’ll cross the threshold into a historical wing of the museum that has been entirely transformed into the hull of a submarine. Through the journey, the Mediterranean reveals itself as if you were aboard a craft silently gliding beneath the waves, moving through an underwater universe that feels at once familiar and alien, scanning the wildlife with different instruments and suspended between beauty and dread. Looming from the ceiling, the room’s original exhibits: skeletons of whales, dolphins and other majestic creatures create a counterpoint to the live exemplars you see swimming from wall panel to wall panel.

What makes this voyage even more extraordinary is the setting itself: the aquarium’s historic building, with its ornate architecture and aura of timeless grandeur, provides a fascinating contrast to the futuristic narrative unfolding within its walls, and this tension between old and new makes every step feel like a crossing of thresholds, as if the very stones of the palace are whispering while the immersive rooms push you forward into the unknown.

The technology that brings this vision to life is combining cutting-edge projections, enveloping soundscapes and state-of-the-art sync between screens combine to create an environment that doesn’t just show you the Mediterranean as an environment that demands respect but allows you to feel it, as if you were truly submerged in a living, shifting ocean where whales pass overhead, schools of fish scatter at your approach, and the looming consequences of human action ripple across the waters in real time.

comics and illustration

Leo Ortolani, Tapum

A un certo punto ci sarà una battuta, in questo fumetto, e riderete. Sappiate che è l’unica. Com’è giusto che sia. Se devo paragonare quest’opera a qualcosa, il confronto più azzeccato è probabilmente lo spettacolo che Marco Paolini trasse dal Sergente nella neve di Rigoni

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Summertime

Omeros in the Caribbeans

Derek Walcott was a Saint Lucian poet, playwright, and painter, and one of the major voices of Caribbean literature. He won the Nobel Prize in Literature in 1992, and his work often explores Caribbean history, identity, colonial inheritance, and the meeting of European and African

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books and literature

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

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A un certo punto ci sarà una battuta, in questo fumetto, e riderete. Sappiate che è l’unica. Com’è giusto che sia. Se devo paragonare quest’opera a qualcosa, il confronto più azzeccato è probabilmente lo spettacolo che Marco Paolini trasse dal Sergente nella neve di Rigoni

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