"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

― Kenneth Grahame, The Wind in the Willows

#Spooktober 25 – The Girl from the Other Side

Originally titled “Foreign Girl”, and with an Irish song as a subtitle, this 11-volume manga is one of the finest things produced in the last ten years and it tells the story of Shiva, a young girl, who is abandoned in a cursed forest and lives with one of the “others”, creature who can curse you with their touch. The girl and the monster, whom she calls “Teacher”, develop a complex relationship which eventually boils down to the ultimate question: what is a monster?
Both the drawings and the delicate narration will have you into tears by the end of it.
Summertime

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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August 8, 2026 6:00 am
movies and tv

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

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August 7, 2026 1:48 pm
Summertime

A Pilgrimage With No Shrine

The full German title of today’s book is Die Ringe des Saturn: Eine englische Wallfahrt — “The Rings of Saturn: An English Pilgrimage” — and it was written by W.G. Sebald, a German-born writer, essayist, poet, and literary scholar who lived much of his life

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August 7, 2026 6:00 am
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The Path You Have to Sing

August 8, 2026

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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But for pursuit of virtue and of knowledge

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I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

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