"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

#Spooktober 24 – The Curse of the Were-Rabbit

It’s an obligation for me to watch this 2005 movie at least one time a year, preferably during the spooky season, as it’s one of the finest features from Nick Park and his Aardman Animations.
Co-produced with Dreamworks, it reprises the inventor Wallace and his dog Gromit as the main characters and, as usual, it features them in a bizarre business enterprise: they’re pest controllers in a small countryside town that lives and breathes around an annual Giant Vegetable competition.

Business takes a turn when they receive a call from the wealthy and eccentric Lady Campanula Tottington from Tottington Hall, who has a veritable infestation of rabbits and wishes for someone to deal with them “humanely”. As it turns out, Wallace and Gromit’s method is a little too “humane”: after capturing the rabbits, they keep them in their house, feeding them at their expense. But Wallace has a stroke of genius: what if he can build a machine to channel the lunar power and brainwash the rabbits into not eating vegetables? It’s a plan that might work. And it might work a little too well for everyone’s good.

books and literature

In the (Digital) Swarm

Byung-Chul Han is a contemporary German philosopher born in Korea whose work explores the transformation of subjectivity, power, and social relations in late modern and digital societies. In the Swarm fits within this broader inquiry, focusing specifically on the effects of digital communication on perception,

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architecture, engineering and construction

One can easily say Dynamo

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In the (Digital) Swarm

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