"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

#Spooktober 24 – The Curse of the Were-Rabbit

It’s an obligation for me to watch this 2005 movie at least one time a year, preferably during the spooky season, as it’s one of the finest features from Nick Park and his Aardman Animations.
Co-produced with Dreamworks, it reprises the inventor Wallace and his dog Gromit as the main characters and, as usual, it features them in a bizarre business enterprise: they’re pest controllers in a small countryside town that lives and breathes around an annual Giant Vegetable competition.

Business takes a turn when they receive a call from the wealthy and eccentric Lady Campanula Tottington from Tottington Hall, who has a veritable infestation of rabbits and wishes for someone to deal with them “humanely”. As it turns out, Wallace and Gromit’s method is a little too “humane”: after capturing the rabbits, they keep them in their house, feeding them at their expense. But Wallace has a stroke of genius: what if he can build a machine to channel the lunar power and brainwash the rabbits into not eating vegetables? It’s a plan that might work. And it might work a little too well for everyone’s good.

books and literature

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

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Summertime

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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movies and tv

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

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Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

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The Path You Have to Sing

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