"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

LR100. RINASCENTE. Stories of Innovation

Quest’anno la Rinascente festeggia i 100 anni del suo nome, ideato da Gabriele D’Annunzio. Cominciava così una storia fatta di passione, talento e capacità di visione tale da suscitare, a partire dai primi del Novecento, un impatto innovativo sui modelli di consumo e sull’evoluzione che portò Milano ad affermarsi come motore economico dell’Italia postunitaria.

Attraverso un’eccezionale varietà e quantità di opere d’arte, grafica, oggetti di design, immagini storiche e contributi inediti,il pubblico potrà scoprire come la Rinascente abbia scritto capitoli importanti nella storia del costume, della comunicazione e della grande distribuzione.

Quando: Dal 24 Maggio al 24 Settembre
Dove: Palazzo Reale, Milano

Una mostra davvero notevole che, attraverso 11 stanze allestite ciascuna come un’esperienza a sé, accompagna attraverso il significato che La Rinascente ha ricoperto per la storia della moda, del design, dell’architettura, della pubblicità e di Milano. Andateci, se pensate che sia solo un grande magazzino.

Informazioni qui.

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Summertime

Omeros in the Caribbeans

Derek Walcott was a Saint Lucian poet, playwright, and painter, and one of the major voices of Caribbean literature. He won the Nobel Prize in Literature in 1992, and his work often explores Caribbean history, identity, colonial inheritance, and the meeting of European and African

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books and literature

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

Read More »
Summertime

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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1 Comment
  • Pingback:BIM.InteriorDesign – Introduzione | Shelidon
    Posted at 13:45h, 14 March Reply

    […] Confrontiamo questi modelli con altri modelli, ad esempio quelli delle vetrine di Rinascente che si potevano vedere nella bellissima mostra per i suoi 100 anni (ne avevo parlato qui). […]

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RELATED POSTS

Omeros in the Caribbeans

Derek Walcott was a Saint Lucian poet, playwright, and painter, and one of the major voices of Caribbean literature. He won the Nobel Prize in Literature in 1992, and his work often explores Caribbean history, identity, colonial inheritance, and the meeting of European and African

Read More

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

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The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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