"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

We’re back!

Yeah, it has been intense.
Yeah, it has been tough.
But me and my BIM manager made through it succesfully, we didn’t get married with Elvis and we even managed not to gamble anything, except my liver.

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Registration of one of our classes is out and you can find it here: it’s called “BIM for Hotels: Revit Automation for Rule-Based Spaces”. You can also find the slides (here) and the handout (here): the latter is a 21 pages article and we are quite fond of it. Give it a look.

Also, you can download the handout of our other class, “The Day Revit Came into Our Lives—Implementation of Best Practices for Small Offices”. You can find it here: it’s 25 pages, we’re proud of it too, it contains pirates and a quiz.

If more material will come out, we’ll let you know. Meanwhile, I highly suggest you watch at least the closing keynote (here). It’s quite hilarious.

Stay tuned!

books and literature

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

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Summertime

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

Read More »
movies and tv

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

Read More »
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RELATED POSTS

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

Read More

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

Read More

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

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