"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

We’re back!

Yeah, it has been intense.
Yeah, it has been tough.
But me and my BIM manager made through it succesfully, we didn’t get married with Elvis and we even managed not to gamble anything, except my liver.

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Registration of one of our classes is out and you can find it here: it’s called “BIM for Hotels: Revit Automation for Rule-Based Spaces”. You can also find the slides (here) and the handout (here): the latter is a 21 pages article and we are quite fond of it. Give it a look.

Also, you can download the handout of our other class, “The Day Revit Came into Our Lives—Implementation of Best Practices for Small Offices”. You can find it here: it’s 25 pages, we’re proud of it too, it contains pirates and a quiz.

If more material will come out, we’ll let you know. Meanwhile, I highly suggest you watch at least the closing keynote (here). It’s quite hilarious.

Stay tuned!

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Two Murderbot Short Stories

While I wait to get my paws on the right edition of the latest novel, which comes out in April, I caught up with two short stories. The first one is Rapport: Friendship, Solidarity, Communion, Empathy (classified as #2.5, meaning it’s right after our favourite

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Gogol’s Rome

Nikolai Vasilyevich Gogol (1809–1852) was a Russian-language writer of Ukrainian origin, celebrated for short stories like “The Nose,” “The Overcoat,” and Dead Souls. His fiction combines social satire, grotesque comedy, and a deep concern with moral and spiritual life, and lord knows he isn’t a

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Two Murderbot Short Stories

While I wait to get my paws on the right edition of the latest novel, which comes out in April, I caught up with two short stories. The first one is Rapport: Friendship, Solidarity, Communion, Empathy (classified as #2.5, meaning it’s right after our favourite

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Nikolai Vasilyevich Gogol (1809–1852) was a Russian-language writer of Ukrainian origin, celebrated for short stories like “The Nose,” “The Overcoat,” and Dead Souls. His fiction combines social satire, grotesque comedy, and a deep concern with moral and spiritual life, and lord knows he isn’t a

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