"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

#Spooktober 30 – Grieve no More

I really liked season 1 of Carnival Row, starring Orlando Bloom and Cara Delevigne, and this is the music that plays in the end credits. The artist calls herself Patty Gurdy and plays the hurdy-gurdy, a weird hand-crank string instrument with a keyboard that sounds a bit like a cornemuse and is typical of Galician folk music, and she also composed the lullaby that plays such a central part in the weird, fantasy-gothic investigative story of the tv series.

This song is no less intimate, and is sung by a mother to her child or by a lover to their sleeping darling. It tells of resistance and loss, displacement and exile, all themes of this incredibly powerful series.

Now rest you there, in spite of the storm that is raging
Faith goes and comes, as long as the seasons are changing
I am sure there is a safe valley for you and for me
Where we would fly, in joy we’d cry
For our blessed land
For what we strive, would come alive
And you would grieve no more

books and literature

In the (Digital) Swarm

Byung-Chul Han is a contemporary German philosopher born in Korea whose work explores the transformation of subjectivity, power, and social relations in late modern and digital societies. In the Swarm fits within this broader inquiry, focusing specifically on the effects of digital communication on perception,

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architecture, engineering and construction

One can easily say Dynamo

1. Prologue: The Add-On Debate (or, a False Choice) 1.1 “Use an Add-On” vs “Everyone Should Code” There are two stock answers that reliably surface whenever automation in BIM is mentioned: The second one is disarmingly simple: spend those five bucks and just use an

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art and fashion

The Painters of the Revolution

I have a problem with the artistic current of the Macchiaioli, and my problem is that I always get them mixed up with Divisionism. And I don’t like Divisionism, so I almost skipped this exhibition, and that would have been a shame because I do

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