"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

#Spooktober 3 – A Haunting in Venice

I recently went to see this movie with some friends, and it’s perfectly fitting for the haunting season whether you like Banagh’s Poirot or not (I personally have mixed feelings).

It has a couple of things in common with the book of Spooktober Day 1, particularly a detective trying to shed rational light on apparently supernatural events and a general strength in the haunting atmosphere. The story draws from some of Agatha Christie’s short stories and the movie adaptation has a lot of things one might need on a Halloween night: a haunted palace in Venice, creepy masked people, the ghost of a girl who went mad and drowned herself (or did she?), ghosts of orphans out for revenge and an ancient curse, dead flowers and dead bees, a fake medium, a haunted doctor.

The mystery was very Agatha Christie: solidly built, a little obvious once you put the pieces together, with some nice twists you might not expect.
The main weakness, as far as I’m concerned, was the pursue of horror movie tropes, but – CONFESSION TIME! – I really don’t like horror movies. I find them silly. And this movie was a little silly, at times, with its attempt at jump scares.

comics and illustration

Leo Ortolani, Tapum

A un certo punto ci sarà una battuta, in questo fumetto, e riderete. Sappiate che è l’unica. Com’è giusto che sia. Se devo paragonare quest’opera a qualcosa, il confronto più azzeccato è probabilmente lo spettacolo che Marco Paolini trasse dal Sergente nella neve di Rigoni

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Summertime

Omeros in the Caribbeans

Derek Walcott was a Saint Lucian poet, playwright, and painter, and one of the major voices of Caribbean literature. He won the Nobel Prize in Literature in 1992, and his work often explores Caribbean history, identity, colonial inheritance, and the meeting of European and African

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books and literature

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

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A un certo punto ci sarà una battuta, in questo fumetto, e riderete. Sappiate che è l’unica. Com’è giusto che sia. Se devo paragonare quest’opera a qualcosa, il confronto più azzeccato è probabilmente lo spettacolo che Marco Paolini trasse dal Sergente nella neve di Rigoni

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Omeros in the Caribbeans

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