Il video della mia webcast del 9 aprile è on-line (già da un po’) a questo indirizzo. Lo incorporo anche qui sotto. Grazie per essere stati con me.
Scrum, Sprint e Stand-Up
Strumenti operativi per la collaborazione Contact-Less
"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
― Kenneth Grahame, The Wind in the Willows
Il video della mia webcast del 9 aprile è on-line (già da un po’) a questo indirizzo. Lo incorporo anche qui sotto. Grazie per essere stati con me.
Scrum, Sprint e Stand-Up
Strumenti operativi per la collaborazione Contact-Less

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the
2 Comments
Pingback:BIM.ExecutionPlanning: epiche, pattern e usi del modello – Shelidon
Posted at 14:31h, 21 April[…] di portare rassicurazione, empatia e conforto a clienti e collaboratori. Come dicevo nella mia webcast del 9 aprile, stiamo tutti combattendo e stiamo tutti in difficoltà. Chi sostiene il contrario mente. Oppure è […]
Pingback:Chris Sims e Hillary Louise Johnson – Scrum: a Breathtakingly Brief and Agile Introduction – Shelidon
Posted at 06:04h, 08 June[…] la mia webcast del 9 aprile, si sta parlando molto di Scrum e la cosa non può che farmi piacere. Sui canali interni a Clex […]