
"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
― Kenneth Grahame, The Wind in the Willows
From April 12 to September 15, 2025, Venice’s Peggy Guggenheim Collection hosts the richly evocative solo exhibition Maria Helena Vieira da Silva: Anatomy of Space (Anatomia di uno spazio in Italian), curated by Flavia Frigeri, an art historian from London’s National Portrait Gallery. Featuring around...
I’m currently in Venice for the Architecture Biennale, and I stopped at the local Fondazione Prada for the current exhibition by AMO/OMA, more out of due diligence than anything. I confess I wasn’t expecting much. I was wrong, and I recommend this show to anybody...
I already spoke about the value of failing fast on projects; it’s not anything I invented, and yet our mindset always shifts towards trying to avoid failure. We try to build bulletproof workflows. We have a failsafe in place for everything. We craft The One...
From January 30 to September 8, 2025, the Osservatorio Fondazione Prada in Milan hosts “A Kind of Language: Storyboards and Other Renderings for Cinema,” an exhibition curated by Melissa Harris. This showcase delves into the intricate pre-production processes of filmmaking, highlighting the pivotal role of...
Do you remember last month, when we took a stroll through Milan in the wake of Casorati’s new exhibition at Palazzo Reale? I would be amiss if I didn’t follow up with another walk inspired by another, great show, closing this month, so here we...
Yes, the fault might be our current project on PowerBI, but this month I’ve been reasoning a lot around our Illuministic obsession over measurements and how that affects our approach to business intelligence in the era of Big Data. On top of this, I’ve been...
Mentor and Tutor on Digital Transformation in the Construction Industry, Reader and Writer, Gamer
“Pay heed to the tales of old wives. It may well be that they alone keep in memory what it was once needful for the wise to know.”
A werewolf story by Alexandre Dumas père. Chapter XVII: The Baron de Mont-Gobert Thibault found himself in the Countess’s room. If the magnificence of Bailiff Magloire’s furniture rescu...
A werewolf story by Alexandre Dumas père. Chapter XVI: My Lady’s Lady Thibault was delighted at seeing what had happened to the young Baron, whose hand, anything but light, had so shortly bef...
Nothing happens in this book, and yet everything happens. Just like life. An ordinary story of an ordinary woman: her husband left for no apparent reason, he seems to think he has a right to her life ...
A werewolf story by Alexandre Dumas père. Chapter XV: The Lord of Vauparfond Thibault, on arriving at the Dauphin d’Or, ordered himself as fine a dinner as he could think of. It would have bee...
Yes, the fault might be our current project on PowerBI, but this month I’ve been reasoning a lot around our Illuministic obsession over measurements and how that affects our approach to business...
A werewolf story by Alexandre Dumas père. Chapter XIV: A Village Wedding He had made but a few steps within the forest, when he found himself surrounded by his wolves. He was pleased to see them aga...
Oh. My. God.How come this novel isn’t up there alongside Ph. K. Dick, Asimov, and the rest of the greatest sci-fi works of our time? Oh, yeah, it might be because it talks about violence over a ...
A werewolf story by Alexandre Dumas père. Chapter XIII: Where it is demonstrated that a Woman never speaks more eloquently than when she holds her tongue As Thibault was talking to himself he did no...
A werewolf story by Alexandre Dumas père. Chapter XII: Wolves in the Sheep Fold The forest was not far from the Bailiff’s house, and in two bounds Thibault found himself on the further side of...
A werewolf story by Alexandre Dumas père. Chapter XI: David and Goliath After walking the whole length of the village, they stopped before an imposing looking house at the junction of the roads lead...
Last week, I pursued the general hype and went to our local theatre to see a contemporary Opera inspired by Umberto Eco’s Name of the Rose, one of my favourite books of all time. And though it w...
A werewolf story by Alexandre Dumas père. Chapter X: Maitre Magloire In this reckless state of mind Thibault, who had not as yet decided on any special course of action, spent the last days of the ol...
Not by Nature, but by Habit: Christine de Pizan and the Complexity of Gender Roles “If it were customary to send little girls to school and teach them the same subjects as boys are taught, they woul...
The Sword and the Stage: La Maupin, the Scandalous Virtuosa of Baroque France Julie d’Aubigny, better known as La Maupin, was a French opera singer, expert swordswoman, and outlaw who lived as boldl...
As Blossoms Fall: The Poetry of Ephemeral Love in Nanshoku Ōkagami “Their sleeves were soaked with tears, not from shame, but from knowing they had only this one night. In the garden, plum blossoms...
In the Courtyard at Dusk: Female Intimacy in Mughal Miniature Painting In the world of the Mughal court, the zenana was a secluded space that offered elite women both constraint and community. Mughal ...
The Queer Alchemy of Benvenuto Cellini: Desire, Scandal, and Self-Fashioning in Renaissance Florence Benvenuto Cellini — sculptor, goldsmith, author, swordsman, and scandal — lived at the heart of...
Dressed in Double Truth: Visual Echoes of Elen de Céspedes Elen de Céspedes (c. 1545–after 1588) was born in Spain, assigned female at birth, and lived much of their adult life as a man. A former ...
Neither Man Nor Woman, but Saint: the Iconography of St. Marina the Monk In the hagiographic tradition of Eastern Christianity, Saint Marina the Monk (more properly known as Marinos) occupies a space ...
Queer Voice and Urban Wit in the Poetry of Abu Nuwas In the glittering intellectual courts of Abbasid Baghdad, one poet spoke of queer desire with wit, joy, and unapologetic sensuality. Abu Nuwas (c. ...
Unbound, Unnameable: Desire and Dissolution in Marguerite Porete’s Mirror “Love has no why,and the soul who loves has no need to ask.She is unbound. She neither wills nor does not will,for she is ...
Silence Speaks: Gender, Nature, and Identity in a 13th-Century Romance In the Roman de Silence, written in Old French by Heldris of Cornwall, we meet Silence—a child born female but raised as a boy ...
A Flame Between Us: Lament in the Poetry of Kassia...
Swapped Lives, Eternal Forms: Visualising Gender Fluidity in the Torikaebaya Monogatari Torikaebaya Monogatari (literally “If only I could exchange (them)!” often translated as “The ...
©© This blog and all original content within it are distributed via a Creative Commons International License Attribution – Share Alike 4.0.
Whole articles cannot be copied on third-party websites, but any reference is welcome.
All original material by others is included only within the fair use boundaries, which grant the right to use copyrighted works for purposes such as criticism, comment, news reporting, teaching, scholarship, or research, and therefore is not intended as an infringement of copyright. For any controversy and claims, please contact the author via the comments, and actions will be taken to safeguard intellectual property at its best.