"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

Madeleine de Scudéry’s Femmes Illustres – Berenice of Cilicia

Berenice of Cilicia, also known as Julia Berenice, was a member of the Herodian Dynasty and appointed Queen of Judaea under the Roman Empire.

During the First Jewish-Roman War, she became the lover of the future emperor Titus Flavius Vespasianus, and she supported her lover’s father Vespasian greatly, both financially and politically, during his campaign.
When Vespasian became emperor, in 69, Titus stayed behind in Judaea and the Jewish-Roman war ended with the destruction of the Second Temple and the sack of Jerusalem, which meant the death of 1 million people and the capture of 97.000 Jews by the Romans.

Titus then returned Rome to his father and the lovers had to stay apart for four years, as some political advisors in Rome were averse to Berenice’s presence and the political message it might have sent.
Even when she eventually joined him, her stay was brief: the couple was publicly denounced in a theatrical piece and Titus sent her away.

When he became Emperor, in 79, she returned to Rome, believing she could finally be with him, but Titus was quick to take measures to restore his reputation and, among those, he dismissed the queen. He died after only two years of reign and there’s no trace of what happened to Berenice.

On top of featuring her in Les Femmes Illustres, Madeleine de Scudéry dedicated her a whole novel in epistolary form, called Lettres de Bérénice à Titus (1642). De Scudery has her writing to Titus, of course.

One of the most accomplished paintings featuring her is Cercle de Gérard de Lairesse‘s Titus se sépare de Bérénice (1680). She does not look happy.

books and literature

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

Read More »
Summertime

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

Read More »
movies and tv

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

Read More »
Share on LinkedIn
Throw on Reddit
Roll on Tumblr
Mail it
No Comments

Post A Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.

RELATED POSTS

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

Read More

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

Read More

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

Read More