"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
Uh, era anni che desideravo questo libro…
Who’s afraid of the Big Bad Bricks? You wouldn’t believe it, but there’s a question I get asked, in various forms, every single time I introduce LEGO Serious Play to a professional audience. Sometimes it comes as a practical concern: “Do we really need the
There is a question we often forget to ask, and it became the centrepiece of a three-hour workshop I delivered last week at Politecnico di Milano as part of a BIM Management master’s programme. When an information model is delivered to the client,how do we
The collection I have, features three stories: The Student (Joseito), Applause (Kassai), and The Tale of Urashima (Urashimasan). They’re very different, not so much in mood (it’s Dazai Osamu after all) but in scope and purpose, and that makes this book a little weird. The
Who’s afraid of the Big Bad Bricks? You wouldn’t believe it, but there’s a question I get asked, in various forms, every single time I introduce LEGO Serious Play to a professional audience. Sometimes it comes as a practical concern: “Do we really need the
There is a question we often forget to ask, and it became the centrepiece of a three-hour workshop I delivered last week at Politecnico di Milano as part of a BIM Management master’s programme. When an information model is delivered to the client,how do we
The collection I have, features three stories: The Student (Joseito), Applause (Kassai), and The Tale of Urashima (Urashimasan). They’re very different, not so much in mood (it’s Dazai Osamu after all) but in scope and purpose, and that makes this book a little weird. The
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