"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
Borrowing G.S. Kirk’s distinction between three kinds of myth, today on my Patreon we take a look at entertainment, operative, charter and explanatory myths, and what this distinction means for us when we tell a story. The post will be released to the public tomorrow, over there and here on the blog.
Every few months it comes back. A pencil drawing of a bee, a quote in a serif font, and different authorities invoked as the source: aerodynamically speaking, the bee cannot fly, but it doesn’t know that, so it flies anyway. It gets shared and liked,
Chapter 5 Glad that he had been so successful in the part of peacemaker, Kovrin went into the park. Sitting on a garden seat, thinking, he heard the rattle of a carriage and a feminine laugh — visitors were arriving. When the shades of evening
Chapter 3 After supper, when the visitors had gone, he went to his room and lay down on the sofa: he wanted to think about the monk. But a minute later Tanya came in. “Here, Andryusha; read father’s articles,” she said, giving him a bundle
Every few months it comes back. A pencil drawing of a bee, a quote in a serif font, and different authorities invoked as the source: aerodynamically speaking, the bee cannot fly, but it doesn’t know that, so it flies anyway. It gets shared and liked,
Chapter 5 Glad that he had been so successful in the part of peacemaker, Kovrin went into the park. Sitting on a garden seat, thinking, he heard the rattle of a carriage and a feminine laugh — visitors were arriving. When the shades of evening
Chapter 3 After supper, when the visitors had gone, he went to his room and lay down on the sofa: he wanted to think about the monk. But a minute later Tanya came in. “Here, Andryusha; read father’s articles,” she said, giving him a bundle
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