"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

#Spooktober 5 – Penny Dreadful

One of my favourite tv shows when it comes to the Gothic, with a stunning Eva Green as the mysterious and haunted Vanessa Ives, and a hauntingly intense Rory Kinnear as the Frankenstein Monster (though he would resent the definition). Vanessa’s stance and demeanour has been greatly influential in shaping how the Lady of my novel walks and acts, especially when she calmly keeps walking around while her companions shoot vampires like there’s no tomorrow, and my favourite scene has to be when an otherworldly creature possesses her during a supposedly fake seance. You can see the cast and crew talking about the scene in the featured video.

Summertime

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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movies and tv

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

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Summertime

A Pilgrimage With No Shrine

The full German title of today’s book is Die Ringe des Saturn: Eine englische Wallfahrt — “The Rings of Saturn: An English Pilgrimage” — and it was written by W.G. Sebald, a German-born writer, essayist, poet, and literary scholar who lived much of his life

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The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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