"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
In our latest October, 15th post on the basic plots of fiction we took a look at what Christopher Booker calls Dark Figures, especially in relation to the “Overcoming the Monster” trope.
Today I thought we might take a closer look at an aspect I only hinted at the end of the previous article: the monster as a dark counterpart and, essentially, as a temptation.
Continues from yesterday… ATORRENT of rain held us marooned the next day. Miss Leahy was confined to her room, with a nurse in constant attendance and the house doctor making hourly calls. She was on the verge of a nervous collapse, he told me, crying
I wouldn’t have started this book on my own, and for many reasons. One of them is that in Italy it’s marketed as Young Adult Fiction, and I hate most of that stuff, and the other is its imposing length: 600 pages. I was distracted,
“The Phantom Farmhouse” is a short story written by Seabury Quinn, first published in the October 1923 issue of Weird Tales. It is one of Quinn’s most famous standalone works outside of his popular Jules de Grandin detective series. I had been at the new
Continues from yesterday… ATORRENT of rain held us marooned the next day. Miss Leahy was confined to her room, with a nurse in constant attendance and the house doctor making hourly calls. She was on the verge of a nervous collapse, he told me, crying
I wouldn’t have started this book on my own, and for many reasons. One of them is that in Italy it’s marketed as Young Adult Fiction, and I hate most of that stuff, and the other is its imposing length: 600 pages. I was distracted,
“The Phantom Farmhouse” is a short story written by Seabury Quinn, first published in the October 1923 issue of Weird Tales. It is one of Quinn’s most famous standalone works outside of his popular Jules de Grandin detective series. I had been at the new
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