In the Galician folktale I present you today on my Patreon, a boy goes to the Devil’s house to pay off a gambling debt and recover his soul, but falls in love with the Devil’s daughter instead. He doesn’t take it well.

"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
― Kenneth Grahame, The Wind in the Willows
In the Galician folktale I present you today on my Patreon, a boy goes to the Devil’s house to pay off a gambling debt and recover his soul, but falls in love with the Devil’s daughter instead. He doesn’t take it well.


…doesn’t necessarily stay in February, so here’s a few highlights. I saw art exhibitions, read books and comics, had a birthday, did a great football event with my team and bla bla bla, who cares. Here’s the stuff you might have seen on Instagram, but

I arose the next morning almost at daybreak, and rushed to my microscope, I trembled as I sought the luminous world in miniature that contained my all. Animula was there. I had left the gas-lamp, surrounded by its moderators, burning when I went to bed

Byung-Chul Han is a contemporary German philosopher born in Korea whose work explores the transformation of subjectivity, power, and social relations in late modern and digital societies. In the Swarm fits within this broader inquiry, focusing specifically on the effects of digital communication on perception,

…doesn’t necessarily stay in February, so here’s a few highlights. I saw art exhibitions, read books and comics, had a birthday, did a great football event with my team and bla bla bla, who cares. Here’s the stuff you might have seen on Instagram, but

I arose the next morning almost at daybreak, and rushed to my microscope, I trembled as I sought the luminous world in miniature that contained my all. Animula was there. I had left the gas-lamp, surrounded by its moderators, burning when I went to bed

Byung-Chul Han is a contemporary German philosopher born in Korea whose work explores the transformation of subjectivity, power, and social relations in late modern and digital societies. In the Swarm fits within this broader inquiry, focusing specifically on the effects of digital communication on perception,
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