"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

#Spooktober 12 – Happy Town

There’s a high chance you will hate me for this recommendation, so let me warn you in advance: the show was never finished and the “ending” will leave you standing like an idiot.
Regardless of that, this 8-episode 2010 tv series really does the trick for the spooky season as it features: a cursed Minnesota town with a mysterious serial abducter called “the Magic Man”, severed hands, mass hysteria, a bird named Cicero, a clever use of music that has no reason whatsoever.
If you like horror in the style of Stephen King and you roll your eyes at cheap tricks or jump scares like I do, you’ll probably enjoy this. And the cast is remarkable too, as it features a young Lauren German, future star of Lucifer, and a Sam Neill whose performance – to quote one of the characters – is “difficult to describe, almost impossible to replicate”. It’s available on Disney+ in almost all Countries (except for mine, of course).

Summertime

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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movies and tv

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

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Summertime

A Pilgrimage With No Shrine

The full German title of today’s book is Die Ringe des Saturn: Eine englische Wallfahrt — “The Rings of Saturn: An English Pilgrimage” — and it was written by W.G. Sebald, a German-born writer, essayist, poet, and literary scholar who lived much of his life

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Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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