"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
Live Stream BIMeet
“Schrödinger’s BIM: The State of an Industry Coming of Age”
18 years after Charles M. Eastman’s BIM Handbook, a seminal text for the dissemination of information modelling, the industry remains divided: between those who doubt it and those who are already looking beyond. In this episode of the podcast, we address the causes of this disparity without filters, analyse the real impacts on the market and possible directions for evolution.
Ah, Selma Lagerlöf. I haven’t read anything of hers since I was a kid and now, all of a sudden, I find myself reading three works of hers in two months. The first one was Men and Troll, a collection of short stories, and it’s
“Bal Macabre” (1908) is one of Gustav Meyrink’s most striking occult short stories: a hallucinatory, symbol-laden tale set in a decadent nightclub that turns into a vision of death, poison, and a secret society of the “apparently dead.” You might know the guy for The
Honoré de Balzac’s “The Red Inn” (L’Auberge rouge) is a short story first published in 1831 and later included among the Études philosophiques of La Comédie humaine. It’s a story-within-the-story. I’m not particularly fond of Balzac, but maybe you’ll enjoy it. In I know not
Ah, Selma Lagerlöf. I haven’t read anything of hers since I was a kid and now, all of a sudden, I find myself reading three works of hers in two months. The first one was Men and Troll, a collection of short stories, and it’s
“Bal Macabre” (1908) is one of Gustav Meyrink’s most striking occult short stories: a hallucinatory, symbol-laden tale set in a decadent nightclub that turns into a vision of death, poison, and a secret society of the “apparently dead.” You might know the guy for The
Honoré de Balzac’s “The Red Inn” (L’Auberge rouge) is a short story first published in 1831 and later included among the Études philosophiques of La Comédie humaine. It’s a story-within-the-story. I’m not particularly fond of Balzac, but maybe you’ll enjoy it. In I know not
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