"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
How To Bake Your Model: A Collaborative BIM Cooking Class was a class I co-presented at the BILT conference in Singapore in 2017. The class wasn’t well received, and I think it lacked practical examples, possibly from a real-life project, but the basic idea was to showcase the different model management structures needed for two very different kinds of projects: a horizontal development occupying a whole island and a vertical development, your run-of-the-mill skyscraper.
Byung-Chul Han is a contemporary German philosopher born in Korea whose work explores the transformation of subjectivity, power, and social relations in late modern and digital societies. In the Swarm fits within this broader inquiry, focusing specifically on the effects of digital communication on perception,
1. Prologue: The Add-On Debate (or, a False Choice) 1.1 “Use an Add-On” vs “Everyone Should Code” There are two stock answers that reliably surface whenever automation in BIM is mentioned: The second one is disarmingly simple: spend those five bucks and just use an
I have a problem with the artistic current of the Macchiaioli, and my problem is that I always get them mixed up with Divisionism. And I don’t like Divisionism, so I almost skipped this exhibition, and that would have been a shame because I do
Byung-Chul Han is a contemporary German philosopher born in Korea whose work explores the transformation of subjectivity, power, and social relations in late modern and digital societies. In the Swarm fits within this broader inquiry, focusing specifically on the effects of digital communication on perception,
1. Prologue: The Add-On Debate (or, a False Choice) 1.1 “Use an Add-On” vs “Everyone Should Code” There are two stock answers that reliably surface whenever automation in BIM is mentioned: The second one is disarmingly simple: spend those five bucks and just use an
I have a problem with the artistic current of the Macchiaioli, and my problem is that I always get them mixed up with Divisionism. And I don’t like Divisionism, so I almost skipped this exhibition, and that would have been a shame because I do
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