"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
The Sjöfru is a kind of Rå, a keeper of a particular kind of land in Swedish folklore, and she presides over waterbodies, usually lakes or small scraps of the sea. Her name is usually translated as “Mistress of the Lake”, “Sea Woman” or “Lake Mare”. Technically, her saltwater counterpart should be called havsrå. We have at least one account of a guy who was burned at the stake for having sex with one of these spirits, and today we take a look at it on my Patreon.
Chapter 3 After supper, when the visitors had gone, he went to his room and lay down on the sofa: he wanted to think about the monk. But a minute later Tanya came in. “Here, Andryusha; read father’s articles,” she said, giving him a bundle
Anton Chekhov (1860–1904) was a Russian physician, short-story writer and playwright, and I’m not particularly fond of him, though he’s widely regarded as one of the greatest masters of modern short fiction and who am I to argue? His work is celebrated for its psychological
A few pictures from the recently closed exhibition on Beauty and Ugliness as an aesthetic paradigma in which what’s ideal and what’s grotesque melt together as sides of the same coin. The exhibition featured works by Brueghel (lent from the other exhibition at Palazzo Reale),
Chapter 3 After supper, when the visitors had gone, he went to his room and lay down on the sofa: he wanted to think about the monk. But a minute later Tanya came in. “Here, Andryusha; read father’s articles,” she said, giving him a bundle
Anton Chekhov (1860–1904) was a Russian physician, short-story writer and playwright, and I’m not particularly fond of him, though he’s widely regarded as one of the greatest masters of modern short fiction and who am I to argue? His work is celebrated for its psychological
A few pictures from the recently closed exhibition on Beauty and Ugliness as an aesthetic paradigma in which what’s ideal and what’s grotesque melt together as sides of the same coin. The exhibition featured works by Brueghel (lent from the other exhibition at Palazzo Reale),
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