"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

Mediterranée 2050: a Journey into the Future of the Sea

I first discovered the exhibition almost by chance, when a friend suggested we visit the aquarium in Monaco on our way back from a vacation and, as we approached the Musée Océanographique, your eyes might miss the towering poster on its facade: a luminous vision of a whale rising from a sea of electric blue.

The experience is an immersive exhibition: you are welcomed by the crew of the voyage, whose faces and voices appear on sleek panels that prepare you for departure as a spaceship, and then you’ll cross the threshold into a historical wing of the museum that has been entirely transformed into the hull of a submarine. Through the journey, the Mediterranean reveals itself as if you were aboard a craft silently gliding beneath the waves, moving through an underwater universe that feels at once familiar and alien, scanning the wildlife with different instruments and suspended between beauty and dread. Looming from the ceiling, the room’s original exhibits: skeletons of whales, dolphins and other majestic creatures create a counterpoint to the live exemplars you see swimming from wall panel to wall panel.

What makes this voyage even more extraordinary is the setting itself: the aquarium’s historic building, with its ornate architecture and aura of timeless grandeur, provides a fascinating contrast to the futuristic narrative unfolding within its walls, and this tension between old and new makes every step feel like a crossing of thresholds, as if the very stones of the palace are whispering while the immersive rooms push you forward into the unknown.

The technology that brings this vision to life is combining cutting-edge projections, enveloping soundscapes and state-of-the-art sync between screens combine to create an environment that doesn’t just show you the Mediterranean as an environment that demands respect but allows you to feel it, as if you were truly submerged in a living, shifting ocean where whales pass overhead, schools of fish scatter at your approach, and the looming consequences of human action ripple across the waters in real time.

books and literature

Weird Sisters

Well, this was a fairly unusual read for me in this period, I’m more in my sci-fi era, but good things come from good friends who gift you books you wouldn’t have bought: they usually help you discover something cool you didn’t know. What I

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books and literature

SciFi Friday — In the Year 2889 by Jules Verne (1889)

[Redactor’s note: In the Year 2889 was first published in the Forum, February, 1889; p. 662. It was published in France the next year. Although published under the name of Jules Verne, it is now believed to be chiefly if not entirely the work of

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comics and illustration

What the fuck did I just watch?

Yoshitaka Amano‘s Angel’s Egg, it’s the simple answer: a 1985 animated movie directed by Mamoru Oshii (Ghost in the Shell). Following Amano’s exhibition here in Italy and the movie’s anniversary, it had been re-released in theatres but I had missed, I was curious, so I

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Weird Sisters

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What the fuck did I just watch?

Yoshitaka Amano‘s Angel’s Egg, it’s the simple answer: a 1985 animated movie directed by Mamoru Oshii (Ghost in the Shell). Following Amano’s exhibition here in Italy and the movie’s anniversary, it had been re-released in theatres but I had missed, I was curious, so I

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