"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
I’ve been requested to share some graphics on my approach for trying to explain ISO 12006 without getting into specific classification systems (Uniclass, Uniformat, Masterformat and all that jazz). I found that the amusement park analogy kind of works: the complex is the park, the entity is Sleeping Beauty’s Castle, the space is her chamber and so on.
I understand it might not be the same without me talking about them, but that goes for pretty much all my lessons. Click to enlarge.
The Sword and the Stage: La Maupin, the Scandalous Virtuosa of Baroque France Julie d’Aubigny, better known as La Maupin, was a French opera singer, expert swordswoman, and outlaw who lived as boldly as the heroines she portrayed. Born into a noble family and trained
From April 12 to September 15, 2025, Venice’s Peggy Guggenheim Collection hosts the richly evocative solo exhibition Maria Helena Vieira da Silva: Anatomy of Space (Anatomia di uno spazio in Italian), curated by Flavia Frigeri, an art historian from London’s National Portrait Gallery. Featuring around
As Blossoms Fall: The Poetry of Ephemeral Love in Nanshoku Ōkagami “Their sleeves were soaked with tears, not from shame, but from knowing they had only this one night. In the garden, plum blossoms were falling—each petal a sigh, each gust a farewell.”— Ihara Saikaku,
The Sword and the Stage: La Maupin, the Scandalous Virtuosa of Baroque France Julie d’Aubigny, better known as La Maupin, was a French opera singer, expert swordswoman, and outlaw who lived as boldly as the heroines she portrayed. Born into a noble family and trained
From April 12 to September 15, 2025, Venice’s Peggy Guggenheim Collection hosts the richly evocative solo exhibition Maria Helena Vieira da Silva: Anatomy of Space (Anatomia di uno spazio in Italian), curated by Flavia Frigeri, an art historian from London’s National Portrait Gallery. Featuring around
As Blossoms Fall: The Poetry of Ephemeral Love in Nanshoku Ōkagami “Their sleeves were soaked with tears, not from shame, but from knowing they had only this one night. In the garden, plum blossoms were falling—each petal a sigh, each gust a farewell.”— Ihara Saikaku,
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Posted at 00:04h, 27 January[…] ai sistemi di classificazione che, come sapete, sono una mia fissazione. Ne ho già parlato qui, quando su richiesta ho pubblicato le mie slide di spiegazione della ISO 12006 con un parco dei […]