"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

#ChthonicThursday: the Amduat

Alternatively translated “That Which Is In the Afterworld” or “Text of the Hidden Chamber Which is in the Underworld”, and called Kitab al-Akhira in Arabic, the Amduat is a funerary text from the New Kingdom and it has been found inscribed on the walls of tombs such as the one of Thutmose III, whose entire tomb is thought to mirror the geography of the afterlife.

The text recounts the journey of Ra, the Egyptian sun god, as he travels daily through the underworld from sunset in the west to sunrise in the east. This journey symbolizes continual death and rebirth, with the sun ‘dying’ at sunset and being ‘reborn’ at dawn, and it’s one hell of a journey (quite literally). According to belief, the deceased Pharaoh underwent the same journey, ultimately being reborn to join Ra eternally. Numerous gods and goddesses, including Khepri, Isis, and Osiris, assist both Ra and the departed soul on this voyage in the Duat, alongside many unnamed or unknown deities.

As well as enumerating and naming the inhabitants of the Duat, which we find in other texts, the Amduat is unique because it dives into detail about the geography of the Egyptian Underworld.

The Duat is divided into twelve regions, as many as the hours of the night, each of them inhabited by allies and presenting different adversaries for the Pharaoh and the Sun God’s conjoined journey. The Amduat catalogues these deities and creatures, such as the serpent of Mehen or the ‘World Encircler’, and portrays their varied roles in aiding or obstructing Ra and the departed soul. Primarily, the Amduat provides guidance to the pharaoh by unveiling the names and attributes of these entities, so that this knowledge will empower him to seek assistance or counter their influence, and detailing the geography as a proper map, to ease the journey.

Today on my Patreon we take a look at these twelve sections.

comics and illustration

Leo Ortolani, Tapum

A un certo punto ci sarà una battuta, in questo fumetto, e riderete. Sappiate che è l’unica. Com’è giusto che sia. Se devo paragonare quest’opera a qualcosa, il confronto più azzeccato è probabilmente lo spettacolo che Marco Paolini trasse dal Sergente nella neve di Rigoni

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Summertime

Omeros in the Caribbeans

Derek Walcott was a Saint Lucian poet, playwright, and painter, and one of the major voices of Caribbean literature. He won the Nobel Prize in Literature in 1992, and his work often explores Caribbean history, identity, colonial inheritance, and the meeting of European and African

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books and literature

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

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