"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

#BIMpill – Incremental Development

Spesso quando si parla di Agile e Sviluppo Incrementale l’industria delle costruzioni risponde con sospetto: i nostri progetti sono troppo grossi, troppo complessi, troppo progettosi per queste tecniche sperimentali.

In queste circostanze è bene ricordare come lo Sviluppo Incrementale, e altre tecniche affini, venga sviluppato in Nasa e poi portato in contesti come quello di IBM e Motorola. Gerald M. Weinberg, antropologo e sviluppatore, ce lo racconta in questa testimonianza dove fa risalire addirittura al 1957 l’anno in cui, ritrovandosi in IBM sotto a Bernie Dimsdale, si trovava già a lavorare con naturalezza in sviluppo incrementale. Bernie Dimsdale aveva lavorato con John von Neumann, il famoso matematico e ingegnere ungherese che lavorò al Progetto Manhattan.
E se è buono per farci le bombe atomiche, forse forse ci si possono fare anche gli edifici.

«We were doing incremental development as early as 1957 in Los Angeles, under the direction of Bernie Dimsdale at IBM’s Service Bureau Corporation. He was a colleague of John von Neumann, so perhaps he learned it there, or assumed it as totally natural. I do remember Herb Jacobs (primarily, though we all participated) developing a large simulation for Motorola, where the technique used was, as far as I can tell … All of us, as far as I can remember, thought waterfalling of a huge project was rather stupid, or at least ignorant of the realities. I think what the waterfall description did for us was make us realize that we were doing something else, something unnamed except for ‘software development’».

(Gerald M. Weinberg)

Un approfondimento sulla storia può essere trovato qui.

Compagno dello sviluppo incrementale è il concetto di Extreme Programming, anch’esso nato in Nasa ed estremamente rilevante nel nostro contesto, ma a questo magari dedicheremo un’altra pillola.

books and literature

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

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Summertime

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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movies and tv

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

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Ioanna Papadopoulou’s The Castaway and the Witch

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