Today on my Patreon, we take a look at a passage from Book 2 in the Dresden Files series and address how lore could be passed upon the reader without being boring and incurring in inconsistencies. You can read it here.

"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
― Kenneth Grahame, The Wind in the Willows
Today on my Patreon, we take a look at a passage from Book 2 in the Dresden Files series and address how lore could be passed upon the reader without being boring and incurring in inconsistencies. You can read it here.


Sylvia Townsend Warner is one of the most interesting literary figures of the 21st century, and Lolly Willowes is one of her finest works, even more stunning if you think it was her debut novel. Self-supporting, intellectually independent, and consistently sceptical of social and religious

This is book #6 in the Murderbot series (yes, I accidentally skipped #5, I’m circling back to that), and I’m afraid I didn’t like this as much as the others. The whole investigation felt a bit rushed and, though the final twist is interesting in

Paul Valéry rejected inspiration as miracle, seeing creativity as the discipline of thought in motion. This week, we parallel his notion of mental “operations” with computational procedures in design: iteration, optimisation, constraint, and recombination, and challenge the dichotomy between intuition and automation. Drawing on contemporary

Sylvia Townsend Warner is one of the most interesting literary figures of the 21st century, and Lolly Willowes is one of her finest works, even more stunning if you think it was her debut novel. Self-supporting, intellectually independent, and consistently sceptical of social and religious

This is book #6 in the Murderbot series (yes, I accidentally skipped #5, I’m circling back to that), and I’m afraid I didn’t like this as much as the others. The whole investigation felt a bit rushed and, though the final twist is interesting in

Paul Valéry rejected inspiration as miracle, seeing creativity as the discipline of thought in motion. This week, we parallel his notion of mental “operations” with computational procedures in design: iteration, optimisation, constraint, and recombination, and challenge the dichotomy between intuition and automation. Drawing on contemporary
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