"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
Sophie Potter is a Cardiff-based artist and here‘s her etsy shop. My favourite art from her are the floral illustration with black background (nasturtium and mushrooms) and the city maps with pink background (Paris and Tokyo), or the series of flowers in vintage cans. Particularly indicated if you don’t like winter or if your Christmas happens to be in summer, I think. They’re lovely.
I warned you I would try and do this: I’m not making any promises, let’s see if I can keep this up.
Byung-Chul Han is a contemporary German philosopher born in Korea whose work explores the transformation of subjectivity, power, and social relations in late modern and digital societies. In the Swarm fits within this broader inquiry, focusing specifically on the effects of digital communication on perception,
1. Prologue: The Add-On Debate (or, a False Choice) 1.1 “Use an Add-On” vs “Everyone Should Code” There are two stock answers that reliably surface whenever automation in BIM is mentioned: The second one is disarmingly simple: spend those five bucks and just use an
I have a problem with the artistic current of the Macchiaioli, and my problem is that I always get them mixed up with Divisionism. And I don’t like Divisionism, so I almost skipped this exhibition, and that would have been a shame because I do
Byung-Chul Han is a contemporary German philosopher born in Korea whose work explores the transformation of subjectivity, power, and social relations in late modern and digital societies. In the Swarm fits within this broader inquiry, focusing specifically on the effects of digital communication on perception,
1. Prologue: The Add-On Debate (or, a False Choice) 1.1 “Use an Add-On” vs “Everyone Should Code” There are two stock answers that reliably surface whenever automation in BIM is mentioned: The second one is disarmingly simple: spend those five bucks and just use an
I have a problem with the artistic current of the Macchiaioli, and my problem is that I always get them mixed up with Divisionism. And I don’t like Divisionism, so I almost skipped this exhibition, and that would have been a shame because I do
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