"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

William Gibson – Il Neuromante

Ultimo lunedì prima di Natale: alleggerisco i miei consigli di lettura in vista del meritato riposo.
Uno dei romanzi di fantascienza che consiglio più spesso ai miei studenti è Il Neuromante di William Gibson, padre fondatore del genere cyberpunk. Si tratta del suo primo romanzo, nonché primo della cosiddetta trilogia dello sprawl, e ci racconta la storia di Henry Dorsett Case, un hacker che viene punito dal suo datore di lavoro con una tossina che gli danneggia il sistema nervoso, impedendogli di accedere allo spazio virtuale in cui ormai avviene la maggior parte delle interazioni.

«Cyberspazio: un’allucinazione vissuta consensualmente ogni giorno da miliardi di operatori legali, in ogni nazione […] Una rappresentazione grafica di dati ricavati dai banchi di ogni computer del sistema umano. Impensabile complessità. Linee di luce allineate nel non-spazio della mente, ammassi e costellazioni di dati. Come le luci di una città, che si allontanano…»

William Gibson,
Neuromante
1ª ed. originale: 1984
1ª ed. italiana: 1986

Digital twin, memoria collettiva, spazio virtuale e complessità delle informazioni. Oltre ad aver forgiato l’immaginario di fantascienza degli ultimi decenni, Gibson fa ciò che la fantascienza fa meglio, ovvero ci mostra il nostro mondo attraverso una lente, un vetro di distorsione il cui scopo è mostrarci meglio ciò che ci circonda o, nel caso di Gibson, cosa ci potrebbe circondare.

Spooktober

Spooktober 24 – The Phantom Farm House (1)

“The Phantom Farmhouse” is a short story written by Seabury Quinn, first published in the October 1923 issue of Weird Tales. It is one of Quinn’s most famous standalone works outside of his popular Jules de Grandin detective series. I had been at the new

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Spooktober

Spooktober 23 – The Immortal Hand

“The Immortal Hand” is a supernatural short story written by pulp author Arlton Eadie (the pseudonym of Leopold Leonard Eady). It was originally published on March 1929 in Weird Tales and features interior artwork by the prominent pulp illustrator C.C. Senf. “With a calm and

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Spooktober

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