"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

William Blake’s Winter Poem

O Winter! bar thine adamantine doors:
The north is thine; there hast thou built thy dark
Deep-founded habitation. Shake not thy roofs
Nor bend thy pillars with thine iron car.

He hears me not, but o’er the yawning deep
Rides heavy; his storms are unchain’d, sheathed
In ribbed steel; I dare not lift mine eyes;
For he hath rear’d his scepter o’er the world.

William Blake, Winter (c.1820-5). Tate Gallery http://www.tate.org.uk/art/work/T02387

Lo! now the direful monster, whose skin clings
To his strong bones, strides o’er the groaning rocks:
He withers all in silence, and in his hand
Unclothes the earth, and freezes up frail life.

He takes his seat upon the cliffs, the mariner
Cries in vain. Poor little wretch! that deal’st
With storms; till heaven smiles, and the monster
Is driven yelling to his caves beneath Mount Hecla.

art and fashion

Metafisica / Metafisiche

What a splendid exhibition! I was expecting your regular, run-of-the-mill show at Palazzo Reale, which is usually good enough, but I was surprised at the depth and width of this new endeavour, that spans across the city with multiple initiatives and, even within the show

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note to self

Isaac Asimov’s “Fantasy” collection

I take issue with this volume, and not because they’re short stories and you’re bound to like some more than the others: they’re all delightful, with very few and negligible exceptions. No, my problem is curatorial: I take issue that instead of grouping all the

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note to self

Comunicazione 101

Cara Trenitalia, Quando ero ragazza, ogni tanto mi capitava di prendere il treno da Milano a Tirano, per raggiungere i miei genitori in vacanza sul lago. È un viaggio verso nord, attraverso la Brianza Felix, che molto presto trasforma la campagna in una collina boscosa

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