"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
Borrowing G.S. Kirk’s distinction between three kinds of myth, today on my Patreon we take a look at entertainment, operative, charter and explanatory myths, and what this distinction means for us when we tell a story. The post will be released to the public tomorrow, over there and here on the blog.
Continues from yesterday… CHAPTER II. Before the autumn was at an end, and while the brown leaves still stood thick on the beeches in our park, my brother and Bertha were engaged to each other, and it was understood that their marriage was to take place
On outsourcing to AI agents without losing more than you gain Last week, I promised a colleague that, by the end of an article, she’d understand what everyone means when they say they “connected an AI agent to Revit via MCP”. I also promised she’d
“The Lifted Veil” is an 1859 Victorian horror and science fiction novella written by George Eliot. It originally appeared anonymously in the periodical Blackwood’s Edinburgh Magazine, on July 1859, and she added her name when it was published alongside her short story “Brother Jacob” in
Continues from yesterday… CHAPTER II. Before the autumn was at an end, and while the brown leaves still stood thick on the beeches in our park, my brother and Bertha were engaged to each other, and it was understood that their marriage was to take place
On outsourcing to AI agents without losing more than you gain Last week, I promised a colleague that, by the end of an article, she’d understand what everyone means when they say they “connected an AI agent to Revit via MCP”. I also promised she’d
“The Lifted Veil” is an 1859 Victorian horror and science fiction novella written by George Eliot. It originally appeared anonymously in the periodical Blackwood’s Edinburgh Magazine, on July 1859, and she added her name when it was published alongside her short story “Brother Jacob” in
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