"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

Tra due ore al cinema

…e, come dicevano sempre in Guerre Stellari, I have a bad feeling about this.
Speriamo in bene.

Aggiornamento: Ghost Rider è probabilmente il film più brutto degli ultimi dieci anni. Ho rivalutato Constantine, il che la dice lunga. Mamma mia che schifo…

books and literature

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

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Summertime

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

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movies and tv

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

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5 Comments
  • heraclitus
    Posted at 11:25h, 18 March Reply

    ahia, proprio così brutto? mi dispiace, il personaggio dei fumetti non mi stava antipatico.

  • FiammaViola
    Posted at 18:52h, 18 March Reply

    ah me constantin non era dispiaciuto ti dirò ^^’

  • sense
    Posted at 08:55h, 19 March Reply

    A pochi piace, ma tutti lo vedono.

  • Njord
    Posted at 12:28h, 19 March Reply

    No aspetta.. anch’io dovrei andare a vederlo…dopo 300 s’intende.

    mmm, ma fa proprio così kifo?!

  • Shelidon
    Posted at 15:48h, 19 March Reply

    Heraclitus, anche a me il personaggio dei fumetti piaceva, ma il film è… è… oddio, trama inconcludente e inconsistente, assenza quasi totale del suo flusso di coscienza, fotografia davvero brutta, studio eststico del personaggio risibile, colonna sonora atroce: si salvano solo gli effetti degli incendi ed alcuni scenari digitali.

    Fiamma, io… io… io non so che dire! La trama faceva acqua da tutte le parti! Insomma, se vuoi giocare con la teologia per me va bene, mi ci diverto anche, ma informati! Il ruolo di Tilda Swinton era… da rimanere esterrefatti.

    Sense, è un piaga dei tempi moderni!

    Njord, sì, fa veramente così schifo. Vent’anni fa forse sarebbe stato un film di culto.

    Comunque anch’io voglio andare a vedere 300, conto di rifarmi almeno esteticamente.

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RELATED POSTS

Ioanna Papadopoulou’s The Castaway and the Witch

I had a genuine “oh shit” moment when I read the author’s preface saying this was darker than “Winter Harvest” because – and I absolutely ADORED “Winter Harvest” – that was pitch-black dark. I thought “we’re all going to die”. This maybe has something to

Read More

The Path You Have to Sing

Alexis Wright‘s Carpentaria, an epic work set in a fictional town called Desperance, opens before there are any people in it at all: an ancestral serpent, “a creature larger than storm clouds,” descends from the stars and drags itself across the wet clay of the

Read More

But for pursuit of virtue and of knowledge

I’m sure you’ve read enough analysis of Nolan’s Odyssey to last a lifetime, and you don’t need another European ranting that he changed stuff, so I’m not going to. Instead, I’d like to talk about the movie in itself, as an independent work, granting the

Read More