"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

― Kenneth Grahame, The Wind in the Willows

#Spooktober 4: The Spectre Bride

“The Spectre Bride” by Friedrich August Schulze comes from German Stories (1826), translated by Robert Pearse Gillies. You can read it today and tomorrow on my Patreon.

 
architecture, engineering and construction

ISO/DIS 19650-1:2026 — Back to the Future

Well, the new draft of the ISO 19650 has been out for public consultation for a week, now, and I have the feeling nobody’s actually consulting the thing, because the heat of the debate has been around the “disappearance of BIM”. I already wrote about

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March 18, 2026 9:00 am
art and fashion

Metafisica / Metafisiche

What a splendid exhibition! I was expecting your regular, run-of-the-mill show at Palazzo Reale, which is usually good enough, but I was surprised at the depth and width of this new endeavour, that spans across the city with multiple initiatives and, even within the show

Read More »
March 15, 2026 9:00 am
books and literature

Isaac Asimov’s “Fantasy” collection

I take issue with this volume, and not because they’re short stories and you’re bound to like some more than the others: they’re all delightful, with very few and negligible exceptions. No, my problem is curatorial: I take issue that instead of grouping all the

Read More »
March 14, 2026 9:00 am
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ISO/DIS 19650-1:2026 — Back to the Future

March 18, 2026

Well, the new draft of the ISO 19650 has been out for public consultation for a week, now, and I have the feeling nobody’s actually consulting the thing, because the heat of the debate has been around the “disappearance of BIM”. I already wrote about

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Metafisica / Metafisiche

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What a splendid exhibition! I was expecting your regular, run-of-the-mill show at Palazzo Reale, which is usually good enough, but I was surprised at the depth and width of this new endeavour, that spans across the city with multiple initiatives and, even within the show

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I take issue with this volume, and not because they’re short stories and you’re bound to like some more than the others: they’re all delightful, with very few and negligible exceptions. No, my problem is curatorial: I take issue that instead of grouping all the

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