Katsukawa Shun’ei (1762 – 1819) is a Japanese artist of the ukiyo-e aesthetics. Today on my Patreon we take a look at his 1790 Book of Ghost Stories preserved at the MET.

"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
― Kenneth Grahame, The Wind in the Willows


I was able to catch this exhibition during its last few days, and I’m glad I did. Pellizza da Volpedo: i capolavori, hosted at the Galleria d’Arte Moderna (GAM) in Villa Reale, is a major retrospective dedicated to one of Italy’s most compelling painters between

FROM a very early period of my life the entire bent of my inclinations had been toward microscopic investigations. When I was not more than ten years old, a distant relative of our family, hoping to astonish my inexperience, constructed a simple microscope for me

Last week I wrote a litle thing on how a naming convention can help: The decision tree of this process was summarised as follows: It’s a touchy subject, I won’t pretend I didn’t know that, and there was an uprising of people objecting, trying to

I was able to catch this exhibition during its last few days, and I’m glad I did. Pellizza da Volpedo: i capolavori, hosted at the Galleria d’Arte Moderna (GAM) in Villa Reale, is a major retrospective dedicated to one of Italy’s most compelling painters between

FROM a very early period of my life the entire bent of my inclinations had been toward microscopic investigations. When I was not more than ten years old, a distant relative of our family, hoping to astonish my inexperience, constructed a simple microscope for me

Last week I wrote a litle thing on how a naming convention can help: The decision tree of this process was summarised as follows: It’s a touchy subject, I won’t pretend I didn’t know that, and there was an uprising of people objecting, trying to
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