"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

Pride Month 2025 – Words of the Day

Not by Nature, but by Habit: Christine de Pizan and the Complexity of Gender Roles

“If it were customary to send little girls to school and teach them the same subjects as boys are taught, they would learn just as well… Not because they are female, but because they are not taught, women are thought incapable.”
— Christine de Pizan, Le Livre de la Cité des Dames (1405)

At the dawn of the 15th century, Christine de Pizan stood alone among the scribes and scholars of the French court. Widowed and self-taught, she became the first woman in Europe known to earn her living by writing. Her texts – part allegory, part polemic – dared to argue not only for the education of women, but for a radical reconsideration of gender itself as a social construct.

In The Book of the City of Ladies, Christine stages a conversation with three personified virtues – Reason, Rectitude, and Justice – who instruct her to build an imaginary city to house the stories and worth of women. It is a visionary act of reclamation, but also one of subtle subversion. Her critique of misogyny goes further than defence: she dismantles the idea that women are inherently less rational, less moral, or less capable.

In doing so, Christine touches on something that would not be formally articulated for centuries: that gender is learned, performed, and enforced, not fixed by nature. Her call for education, representation, and reimagining the feminine role within civic and intellectual life forms an early blueprint not only for feminism but for gender-expansive thought.

Though her language is shaped by the moral and religious norms of her time, her questions echo across eras: who gets to define womanhood? Who benefits from that definition? And how might other ways of being – of knowing, of writing, of imagining – remake the world?

art and fashion

Beauty and Ugliness: an exhibition

A few pictures from the recently closed exhibition on Beauty and Ugliness as an aesthetic paradigma in which what’s ideal and what’s grotesque melt together as sides of the same coin. The exhibition featured works by Brueghel (lent from the other exhibition at Palazzo Reale),

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Spooktober

Spooktober 25 – The Phantom Farm House (2)

Continues from yesterday… ATORRENT of rain held us marooned the next day. Miss Leahy was confined to her room, with a nurse in constant attendance and the house doctor making hourly calls. She was on the verge of a nervous collapse, he told me, crying

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books and literature

Alix Harrow’s The Once and Future Witches

I wouldn’t have started this book on my own, and for many reasons. One of them is that in Italy it’s marketed as Young Adult Fiction, and I hate most of that stuff, and the other is its imposing length: 600 pages. I was distracted,

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Beauty and Ugliness: an exhibition

A few pictures from the recently closed exhibition on Beauty and Ugliness as an aesthetic paradigma in which what’s ideal and what’s grotesque melt together as sides of the same coin. The exhibition featured works by Brueghel (lent from the other exhibition at Palazzo Reale),

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