"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

Pride Month 2025 – It’s a Wrap

We Were Always Here: on Memory, Erasure, and the Persistence of Queer History

All month long, we have journeyed through scroll and scripture, painting and poetry, ruin and reliquary, gathering voices, gestures, glances that once defied the world to say: we have always loved differently. These were not abstract symbols or distant metaphors. They were people: monks and mystics, lovers and poets, rulers and rebels, living lives shaped by desire, by ambiguity, by the refusal to be only what they were told they should be.

Too often, those lives have been softened into silence. Queer saints are called “devout companions.” Female lovers are dismissed as “close friends.” Trans figures are flattened into metaphors. Erotic mystics are scrubbed of their flesh and made palatable to tradition. We are told that queerness is a modern invention, that no one was like us then because no one said the words. But this is the paradox: you burn the evidence, then call us imaginary. You erase the love letters, then claim we never loved. You tear pages from the record, then point to the silence as proof we didn’t exist.

And still, here we are: in illuminated margins, in the fervour of a sonnet, in the brushstroke of a hand that lingers too long on another. Not every gaze is friendship. Not every kiss is innocent. Not every martyr is only holy. Sometimes, they are holy and queer.

To call these people “just friends” is not history. It is erasure dressed as restraint.

Queerness is not a historical anomaly. It is a rhythm in the human story: a set of lives, desires, identities, and rebellions that run alongside — and sometimes against — the canon. It is not a footnote. It is the footstep. And so, as Pride Month ends, this is not a closing: it is a charge. To remember that queer people are not seasonal, that our past does not only belong to June. That recovering queer history is not a performance, but a responsibility. Because if we don’t tell these stories, they will be told without us. And if we don’t remember them, they will be forgotten on purpose.

So we say it plainly: queer people existed. Queer people exist. Queer people will exist.
And we will keep digging through the ruins.
And we will keep naming what we find.

art and fashion

Andrea Pazienza — They Don’t Always Die

At the beginning of this month, I was in Rome with some friends: we had heard that Danny Elfman himself was going to be on stage at the Auditorium, performing some pieces from his soundtracks, and we’re hardcore fans (I have mixed feelings about the

Read More »
architecture, engineering and construction

Alas, it’s not parametric

Last week, in a fit of despair, I published a piece that touched on a few questions around open formats and proprietary formats, specifically asking whether it was legitimate or advisable for a contracting authority to require the delivery of a model in proprietary format

Read More »
books and literature

Yukio Mishima’s Death in Midsummer

I only knew Yukio Mishima for his Confessions of a Mask, so I had no idea of his extraordinary range and this collection of short stories was a pleasant surprise. Sure, you have death, as the titular tale suggests and way beyond, including the detailed

Read More »
Share on LinkedIn
Throw on Reddit
Roll on Tumblr
Mail it
No Comments

Post A Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.

RELATED POSTS

Andrea Pazienza — They Don’t Always Die

At the beginning of this month, I was in Rome with some friends: we had heard that Danny Elfman himself was going to be on stage at the Auditorium, performing some pieces from his soundtracks, and we’re hardcore fans (I have mixed feelings about the

Read More

Alas, it’s not parametric

Last week, in a fit of despair, I published a piece that touched on a few questions around open formats and proprietary formats, specifically asking whether it was legitimate or advisable for a contracting authority to require the delivery of a model in proprietary format

Read More

Yukio Mishima’s Death in Midsummer

I only knew Yukio Mishima for his Confessions of a Mask, so I had no idea of his extraordinary range and this collection of short stories was a pleasant surprise. Sure, you have death, as the titular tale suggests and way beyond, including the detailed

Read More