As we have seen with Aphra Behn, the Restauration period started challenging some of the concepts around women’s desire in both heterosexual and homosexual relationships, with delicate examples of transgender and what we now know to call non-binary relationships taken into account.
Anne Finch’s late production let us enjoy a production celebrating what Harriette Andreadis calls:
“her intense commitments to and enjoyment of intimacies with female friends and community”.
She’s today’s profile on my Patreon.
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