"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

MDW2025 – Day 7

If you want to do something different and you like discovering lesser-known places, you can’t miss the Hundredicrafts exhibition called Adorned Dancer of Eastern Screen, set on the side of the City’s Castle in Via Quintino Sella 4.

This exhibition showcases a series of screens meticulously crafted using various intangible cultural heritage techniques, complemented by a range of lifestyle works such as porcelain, Nanjing Yunjin brocade, embroidery, lacquerware, tea sets, and furniture. It presents a perfect fusion of aesthetics and life, exploring and providing cross-cultural aesthetic inspiration and solutions for the global high-end customization field.

The pieces, both traditional and with a contemporary vibe, carry such grace and beauty that they’ll knock the breath right out of you, but this is not the only reason you should visit.

The exhibition is set on the upper floor of the palace, which also hosts the Museum of Art and Science, a unique institution dedicated to the intersection of art, science, and the authentication of artworks. Established in 1990 by German physicist and art enthusiast Gottfried Matthaes, the museum is housed in the 19th-century Palazzo Bonacossa, and is renowned for its educational approach to distinguishing authentic artworks from forgeries. It offers interactive exhibits that guide visitors through various materials and techniques used in art and antiquities, from paintings to ceramics to antique furniture. Each section is equipped with “test stations” featuring microscopes, magnifying glasses, and special lighting, allowing visitors to engage in hands-on analysis and learn about the characteristics that differentiate genuine artifacts from replicas.

The museum also features two rooms dedicated to Leonardo da Vinci, offering insights into his life and work during his time in Milan. Exhibits include studies on his “Treatise on Painting” and his contributions to art and science.

books and literature

Alix Harrow’s The Once and Future Witches

I wouldn’t have started this book on my own, and for many reasons. One of them is that in Italy it’s marketed as Young Adult Fiction, and I hate most of that stuff, and the other is its imposing length: 600 pages. I was distracted,

Read More »
Spooktober

Spooktober 24 – The Phantom Farm House (1)

“The Phantom Farmhouse” is a short story written by Seabury Quinn, first published in the October 1923 issue of Weird Tales. It is one of Quinn’s most famous standalone works outside of his popular Jules de Grandin detective series. I had been at the new

Read More »
Spooktober

Spooktober 23 – The Immortal Hand

“The Immortal Hand” is a supernatural short story written by pulp author Arlton Eadie (the pseudonym of Leopold Leonard Eady). It was originally published on March 1929 in Weird Tales and features interior artwork by the prominent pulp illustrator C.C. Senf. “With a calm and

Read More »
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Alix Harrow’s The Once and Future Witches

I wouldn’t have started this book on my own, and for many reasons. One of them is that in Italy it’s marketed as Young Adult Fiction, and I hate most of that stuff, and the other is its imposing length: 600 pages. I was distracted,

Read More

Spooktober 24 – The Phantom Farm House (1)

“The Phantom Farmhouse” is a short story written by Seabury Quinn, first published in the October 1923 issue of Weird Tales. It is one of Quinn’s most famous standalone works outside of his popular Jules de Grandin detective series. I had been at the new

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Spooktober 23 – The Immortal Hand

“The Immortal Hand” is a supernatural short story written by pulp author Arlton Eadie (the pseudonym of Leopold Leonard Eady). It was originally published on March 1929 in Weird Tales and features interior artwork by the prominent pulp illustrator C.C. Senf. “With a calm and

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