"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

Isaac Asimov’s Gold (and other stories)

It’s unfortunate that I’m coming to this after the very unsatisfactory collection of “fantasy” stories (Asimov never wrote fantasy: he wrote satire), because this was another disappointment.

The book is half short stories and half non-fiction, for random reasons, and the non-fiction half is random writings for the first half and reflections on writing science fiction in the second half.

This latter portion is interesting enough, and so are the stories, some more than others, as it’s to be expected and with no particular merit to the titular one. Humorous tales (“Battle-Hymn” and the prophetic “Fault-Intolerant”) are mixed with dead-serious ones of great merit (“Hallucination”, “Kid Brother”), so you’ll never know what to expect, and that’s one of the collection’s demerits.

Plus, what’s “Cal” doing here, and not with the “fantasy” collection? Oh, I know. Because it has a robot and it would destroy the presumption that the stories featuring George and Azazel are somehow fantasy.

The essays in the middle section have some interesting features, such as the one on Psychohistory, but “Women and Science Fiction” made me want to throw the book across the room.

books and literature

Alix Harrow’s The Once and Future Witches

I wouldn’t have started this book on my own, and for many reasons. One of them is that in Italy it’s marketed as Young Adult Fiction, and I hate most of that stuff, and the other is its imposing length: 600 pages. I was distracted,

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Spooktober

Spooktober 24 – The Phantom Farm House (1)

“The Phantom Farmhouse” is a short story written by Seabury Quinn, first published in the October 1923 issue of Weird Tales. It is one of Quinn’s most famous standalone works outside of his popular Jules de Grandin detective series. I had been at the new

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Spooktober

Spooktober 23 – The Immortal Hand

“The Immortal Hand” is a supernatural short story written by pulp author Arlton Eadie (the pseudonym of Leopold Leonard Eady). It was originally published on March 1929 in Weird Tales and features interior artwork by the prominent pulp illustrator C.C. Senf. “With a calm and

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Alix Harrow’s The Once and Future Witches

I wouldn’t have started this book on my own, and for many reasons. One of them is that in Italy it’s marketed as Young Adult Fiction, and I hate most of that stuff, and the other is its imposing length: 600 pages. I was distracted,

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