"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

Gogol’s Rome

Nikolai Vasilyevich Gogol (1809–1852) was a Russian-language writer of Ukrainian origin, celebrated for short stories like “The Nose,” “The Overcoat,” and Dead Souls. His fiction combines social satire, grotesque comedy, and a deep concern with moral and spiritual life, and lord knows he isn’t a favourite of mine.

How do you turn him into D’Annunzio? By showing him Rome, apparently.

In this highly lyrical short story, an unfinished “fragment” as it’s often described, you’ll breathe the colours and the temperature of Rome and Paris, down to the very fabric that tie together those two extremely different realities and the different ways they might speak to different ages of man. The story follows a young Italian prince’s education and love, written as an impassioned tribute to the city. It’s an absolute gem.

Spooktober

Spooktober 26 – The Black Monk (1)

Anton Chekhov (1860–1904) was a Russian physician, short-story writer and playwright, and I’m not particularly fond of him, though he’s widely regarded as one of the greatest masters of modern short fiction and who am I to argue? His work is celebrated for its psychological

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art and fashion

Beauty and Ugliness: an exhibition

A few pictures from the recently closed exhibition on Beauty and Ugliness as an aesthetic paradigma in which what’s ideal and what’s grotesque melt together as sides of the same coin. The exhibition featured works by Brueghel (lent from the other exhibition at Palazzo Reale),

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Spooktober

Spooktober 25 – The Phantom Farm House (2)

Continues from yesterday… ATORRENT of rain held us marooned the next day. Miss Leahy was confined to her room, with a nurse in constant attendance and the house doctor making hourly calls. She was on the verge of a nervous collapse, he told me, crying

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