"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
Vanth was a female demon in the Etruscan underworld, frequently depicted alongside other manifestations of the same figure (two Vanths are better than one, apparently) or another underworld demon known as Charun (later referred to as Charu). She lacks a direct equivalent in Greek mythology and is frequently depicted as a winged, benevolent figure. She dresses as a huntress and has the role of guide to the Underworld. She’s today’s profile on my Patreon.
A werewolf story by Alexandre Dumas père. Chapter XVII: The Baron de Mont-Gobert Thibault found himself in the Countess’s room. If the magnificence of Bailiff Magloire’s furniture rescued from the lumber-room of his Highness the Duke of Orleans, had astonished Thibault, the daintiness, the harmony, the taste
The Queer Alchemy of Benvenuto Cellini: Desire, Scandal, and Self-Fashioning in Renaissance Florence Benvenuto Cellini — sculptor, goldsmith, author, swordsman, and scandal — lived at the heart of Renaissance Florence with the fire of a man determined to be seen, remembered, and unruly. Best known
I’m currently in Venice for the Architecture Biennale, and I stopped at the local Fondazione Prada for the current exhibition by AMO/OMA, more out of due diligence than anything. I confess I wasn’t expecting much. I was wrong, and I recommend this show to anybody
A werewolf story by Alexandre Dumas père. Chapter XVII: The Baron de Mont-Gobert Thibault found himself in the Countess’s room. If the magnificence of Bailiff Magloire’s furniture rescued from the lumber-room of his Highness the Duke of Orleans, had astonished Thibault, the daintiness, the harmony, the taste
The Queer Alchemy of Benvenuto Cellini: Desire, Scandal, and Self-Fashioning in Renaissance Florence Benvenuto Cellini — sculptor, goldsmith, author, swordsman, and scandal — lived at the heart of Renaissance Florence with the fire of a man determined to be seen, remembered, and unruly. Best known
I’m currently in Venice for the Architecture Biennale, and I stopped at the local Fondazione Prada for the current exhibition by AMO/OMA, more out of due diligence than anything. I confess I wasn’t expecting much. I was wrong, and I recommend this show to anybody
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