"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
The exhibition Nocturnes, hosted in the Canovian Rooms of the Museo Correr in Venice, stages works by Karen LaMonte alongside classical statues and it’s the first appointment in the Dialoghi Canoviani programme, which aims to place contemporary artistic research in direct dialogue with the museum’s
When Giorgio Armani died, back in September last year, they honoured him with two exhibitions: one at his Armani Silos, and a temporary installation of his dresses at the Pinacoteca di Brera. I managed to go and see the latter, a few weeks ago, with
Before I start laying out what I thought of this book, let me be upfront about a couple of things. With these premises, you can imagine my surprise when I found myself avidly reading the many sections drafted by Piers Bizony and sometimes skipping the
The exhibition Nocturnes, hosted in the Canovian Rooms of the Museo Correr in Venice, stages works by Karen LaMonte alongside classical statues and it’s the first appointment in the Dialoghi Canoviani programme, which aims to place contemporary artistic research in direct dialogue with the museum’s
When Giorgio Armani died, back in September last year, they honoured him with two exhibitions: one at his Armani Silos, and a temporary installation of his dresses at the Pinacoteca di Brera. I managed to go and see the latter, a few weeks ago, with
Before I start laying out what I thought of this book, let me be upfront about a couple of things. With these premises, you can imagine my surprise when I found myself avidly reading the many sections drafted by Piers Bizony and sometimes skipping the
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