"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

Attenzione: rischio contagio

Attenzione: questo post potrebbe essere portatore di germi. Già, perché domenica si è conclusa la mia fortunata serie di giorni sani (che è durata più o meno trentasei ore, un vero e proprio record) e sono tornata da Roma con una serie innominabile di infezioni e infiammazioni. Quindi, leggete a vostro rischio e pericolo. ;-)

Non sono riuscita a fare le scansioni dei due disegni appena finiti, così ho fatto delle foto. O meglio, le ho fatte fare al mio ragazzo perché a me tremava troppo la mano. La macchina non è il massimo ma più o meno le foto rendono l’idea di quanto io non sia capace di disegnare. La prima in alto è il Vento del Sud di cui ho parlato qualche post fa. La seconda è una scena dal Silmarillion di Tolkien (perché delle sue opere mi sto occupando in questo periodo). Il testo accanto è un estratto dal brano riguardante proprio l’incontro della dama con l’elfo fotofobico:

Eöl, though stooped by his smithwork, was no Dwarf, but a tall Elf of a high kin of the Teleri, noble though grim of face; and his eyes could see deep into shadows and dark places. And it came to pass that he saw Aredhel Ar-Feiniel as she strayed among the tall trees near the borders of Nan Elmoth, a gleam of white in the dim land. Very fair she seemed to him, and he desired her; and he set his enchantments about her so that she could not find the ways out, but drew ever nearer to his dwelling in the depths of the wood. There were his smithy, and his dim halls, and such servants as he had, silent and secret as their master. And when Aredhel, weary with wandering, came at last to his doors, he revealed himself; and he welcomed her, and led her into his house. And there she remained; for Eöl took her to wife, and it was long ere any of her kin heard of her again.

Vento del Sud

Aredhel alle porte di Eol

Pride Month

Pride Month 2025: Words of the Day

Unbound, Unnameable: Desire and Dissolution in Marguerite Porete’s Mirror “Love has no why,and the soul who loves has no need to ask.She is unbound. She neither wills nor does not will,for she is held, wholly,in the embrace of Love’s will.”— Marguerite Porete, The Mirror of

Read More »
Pride Month

Pride Month 2025: Story of the Day

Silence Speaks: Gender, Nature, and Identity in a 13th-Century Romance In the Roman de Silence, written in Old French by Heldris of Cornwall, we meet Silence—a child born female but raised as a boy to circumvent a royal decree forbidding women from inheriting. As the

Read More »
art and fashion

A Kind of Language in Milan

From January 30 to September 8, 2025, the Osservatorio Fondazione Prada in Milan hosts “A Kind of Language: Storyboards and Other Renderings for Cinema,” an exhibition curated by Melissa Harris. This showcase delves into the intricate pre-production processes of filmmaking, highlighting the pivotal role of

Read More »
Share on LinkedIn
Throw on Reddit
Roll on Tumblr
Mail it
No Comments

Post A Comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.

RELATED POSTS

Pride Month 2025: Words of the Day

Unbound, Unnameable: Desire and Dissolution in Marguerite Porete’s Mirror “Love has no why,and the soul who loves has no need to ask.She is unbound. She neither wills nor does not will,for she is held, wholly,in the embrace of Love’s will.”— Marguerite Porete, The Mirror of

Read More

Pride Month 2025: Story of the Day

Silence Speaks: Gender, Nature, and Identity in a 13th-Century Romance In the Roman de Silence, written in Old French by Heldris of Cornwall, we meet Silence—a child born female but raised as a boy to circumvent a royal decree forbidding women from inheriting. As the

Read More

A Kind of Language in Milan

From January 30 to September 8, 2025, the Osservatorio Fondazione Prada in Milan hosts “A Kind of Language: Storyboards and Other Renderings for Cinema,” an exhibition curated by Melissa Harris. This showcase delves into the intricate pre-production processes of filmmaking, highlighting the pivotal role of

Read More