"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
Lelwani, also spelt Leluwani, was a Hittite underworld deity, but their presence is attested way before the Hittite came to Anatolia. In the Hattic culture, Lelwani was considered a male deity and addressed as a “king” when the Hittites, known for adopting deities from conquered or neighbouring cultures, incorporated Lelwani into their own belief system. In doing so, they made him a woman. They’re today’s profile on my Patreon.
I’ve been told it’s difficult and — honest to God — it’s not. It’s just incredibly convoluted and, as it often happens with both Microsoft and Autodesk, stuff isn’t where you expect it to be. So here’s a quick guide on how to pull data
A werewolf story by Alexandre Dumas père. Chapter XX: True to Tryst On quitting the Countess’s room, Thibault had left the castle by the way which he had described to her, and soon found himself safe beyond its walls and outside the park. And now, for
In a city that often hides its wonders behind unassuming façades, Casa degli Atellani is a palimpsest of Milan’s most profound historical, artistic, and architectural evolutions. And yet, this house — steeped in stories from the Sforza court to the 20th-century architectural revival — is
I’ve been told it’s difficult and — honest to God — it’s not. It’s just incredibly convoluted and, as it often happens with both Microsoft and Autodesk, stuff isn’t where you expect it to be. So here’s a quick guide on how to pull data
A werewolf story by Alexandre Dumas père. Chapter XX: True to Tryst On quitting the Countess’s room, Thibault had left the castle by the way which he had described to her, and soon found himself safe beyond its walls and outside the park. And now, for
In a city that often hides its wonders behind unassuming façades, Casa degli Atellani is a palimpsest of Milan’s most profound historical, artistic, and architectural evolutions. And yet, this house — steeped in stories from the Sforza court to the 20th-century architectural revival — is
No Comments