"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
Sophie Potter is a Cardiff-based artist and here‘s her etsy shop. My favourite art from her are the floral illustration with black background (nasturtium and mushrooms) and the city maps with pink background (Paris and Tokyo), or the series of flowers in vintage cans. Particularly indicated if you don’t like winter or if your Christmas happens to be in summer, I think. They’re lovely.
I warned you I would try and do this: I’m not making any promises, let’s see if I can keep this up.
Sylvia Townsend Warner is one of the most interesting literary figures of the 21st century, and Lolly Willowes is one of her finest works, even more stunning if you think it was her debut novel. Self-supporting, intellectually independent, and consistently sceptical of social and religious
This is book #6 in the Murderbot series (yes, I accidentally skipped #5, I’m circling back to that), and I’m afraid I didn’t like this as much as the others. The whole investigation felt a bit rushed and, though the final twist is interesting in
Paul Valéry rejected inspiration as miracle, seeing creativity as the discipline of thought in motion. This week, we parallel his notion of mental “operations” with computational procedures in design: iteration, optimisation, constraint, and recombination, and challenge the dichotomy between intuition and automation. Drawing on contemporary
Sylvia Townsend Warner is one of the most interesting literary figures of the 21st century, and Lolly Willowes is one of her finest works, even more stunning if you think it was her debut novel. Self-supporting, intellectually independent, and consistently sceptical of social and religious
This is book #6 in the Murderbot series (yes, I accidentally skipped #5, I’m circling back to that), and I’m afraid I didn’t like this as much as the others. The whole investigation felt a bit rushed and, though the final twist is interesting in
Paul Valéry rejected inspiration as miracle, seeing creativity as the discipline of thought in motion. This week, we parallel his notion of mental “operations” with computational procedures in design: iteration, optimisation, constraint, and recombination, and challenge the dichotomy between intuition and automation. Drawing on contemporary
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