"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."

SAIE 2025 – BIMtalk

On October 23rd, I’ve been invited by our local agency for the government of State Property (Agenzia del Demanio) to talk about the value of digitalisation in the construction industry. I’ll focus on the concept of ROI (Return on Investment): is it appropriate to use that term, when it comes to innovation? It’ll be fun.

architecture, engineering and construction

ISO/DIS 19650-1:2026 — Back to the Future

Well, the new draft of the ISO 19650 has been out for public consultation for a week, now, and I have the feeling nobody’s actually consulting the thing, because the heat of the debate has been around the “disappearance of BIM”. I already wrote about

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art and fashion

Metafisica / Metafisiche

What a splendid exhibition! I was expecting your regular, run-of-the-mill show at Palazzo Reale, which is usually good enough, but I was surprised at the depth and width of this new endeavour, that spans across the city with multiple initiatives and, even within the show

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books and literature

Isaac Asimov’s “Fantasy” collection

I take issue with this volume, and not because they’re short stories and you’re bound to like some more than the others: they’re all delightful, with very few and negligible exceptions. No, my problem is curatorial: I take issue that instead of grouping all the

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ISO/DIS 19650-1:2026 — Back to the Future

Well, the new draft of the ISO 19650 has been out for public consultation for a week, now, and I have the feeling nobody’s actually consulting the thing, because the heat of the debate has been around the “disappearance of BIM”. I already wrote about

Read More

Metafisica / Metafisiche

What a splendid exhibition! I was expecting your regular, run-of-the-mill show at Palazzo Reale, which is usually good enough, but I was surprised at the depth and width of this new endeavour, that spans across the city with multiple initiatives and, even within the show

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Isaac Asimov’s “Fantasy” collection

I take issue with this volume, and not because they’re short stories and you’re bound to like some more than the others: they’re all delightful, with very few and negligible exceptions. No, my problem is curatorial: I take issue that instead of grouping all the

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