I can play any trick with a cork
or a spoon and a bit of fish-paste
or a spoon and a bit of fish-paste
"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
― Kenneth Grahame, The Wind in the Willows
Charlotte Perkins Gilman is best remembered today for her groundbreaking short story “The Yellow Wallpaper” (1892), a tale that has become a classic of both Gothic fiction and feminist literature. Born in Hartford, Connecticut, Gilman was a writer, lecturer, and social reformer who used her
This is a tale that might be told in many ways and from various points of view; it has to be gathered from here and there—a letter, a report, a diary, a casual reference; in its day the thing was more than a passing wonder,
Third and final chapter of Elizabeth Gaskell’s ghost story. ‘I hope you slept well, sir.’ It was William, who, coming into the hall with the sunlight of a fine bright morning streaming after him, asked this question: ‘Had you a good night’s rest?’ Graham Coulton
Charlotte Perkins Gilman is best remembered today for her groundbreaking short story “The Yellow Wallpaper” (1892), a tale that has become a classic of both Gothic fiction and feminist literature. Born in Hartford, Connecticut, Gilman was a writer, lecturer, and social reformer who used her
This is a tale that might be told in many ways and from various points of view; it has to be gathered from here and there—a letter, a report, a diary, a casual reference; in its day the thing was more than a passing wonder,
Third and final chapter of Elizabeth Gaskell’s ghost story. ‘I hope you slept well, sir.’ It was William, who, coming into the hall with the sunlight of a fine bright morning streaming after him, asked this question: ‘Had you a good night’s rest?’ Graham Coulton
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