"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
Thanks for bearing with me through the Spooky Season: I hope you enjoyed some of my recommendations and that you’ll want to stay with us as we go back to our usual scheduled content through the three tiers of the Patreon. Remember that some of the content will keep being free, for those of you who can’t spare a dime, and that your support is hugely appreciated.
Unbound, Unnameable: Desire and Dissolution in Marguerite Porete’s Mirror “Love has no why,and the soul who loves has no need to ask.She is unbound. She neither wills nor does not will,for she is held, wholly,in the embrace of Love’s will.”— Marguerite Porete, The Mirror of
Silence Speaks: Gender, Nature, and Identity in a 13th-Century Romance In the Roman de Silence, written in Old French by Heldris of Cornwall, we meet Silence—a child born female but raised as a boy to circumvent a royal decree forbidding women from inheriting. As the
From January 30 to September 8, 2025, the Osservatorio Fondazione Prada in Milan hosts “A Kind of Language: Storyboards and Other Renderings for Cinema,” an exhibition curated by Melissa Harris. This showcase delves into the intricate pre-production processes of filmmaking, highlighting the pivotal role of
Unbound, Unnameable: Desire and Dissolution in Marguerite Porete’s Mirror “Love has no why,and the soul who loves has no need to ask.She is unbound. She neither wills nor does not will,for she is held, wholly,in the embrace of Love’s will.”— Marguerite Porete, The Mirror of
Silence Speaks: Gender, Nature, and Identity in a 13th-Century Romance In the Roman de Silence, written in Old French by Heldris of Cornwall, we meet Silence—a child born female but raised as a boy to circumvent a royal decree forbidding women from inheriting. As the
From January 30 to September 8, 2025, the Osservatorio Fondazione Prada in Milan hosts “A Kind of Language: Storyboards and Other Renderings for Cinema,” an exhibition curated by Melissa Harris. This showcase delves into the intricate pre-production processes of filmmaking, highlighting the pivotal role of
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