"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
1. A Voice in the Margins, a Lesson in the Centre What does Natalia Ginzburg, an Italian novelist of quiet prose and domestic landscapes, have to do with design? On the surface, little: she did not theorise objects or urban space, nor did she work
A werewolf story by Alexandre Dumas père. Chapter XXI: The Genius of Evil The next evening, about nine o’clock, a man might be seen walking along the Puits-Sarrasin road and making for for the Osieres forest-path. It was Thibault, on his way to pay a last
Who (or What) Is Designing? Somewhere between the mouse click and the model update, a question sometimes lingers, one that makes architects react with violence. Who is really designing here? “Me,” will answer the architect. “The computer is Just A Tool and I’m in Control.”
1. A Voice in the Margins, a Lesson in the Centre What does Natalia Ginzburg, an Italian novelist of quiet prose and domestic landscapes, have to do with design? On the surface, little: she did not theorise objects or urban space, nor did she work
A werewolf story by Alexandre Dumas père. Chapter XXI: The Genius of Evil The next evening, about nine o’clock, a man might be seen walking along the Puits-Sarrasin road and making for for the Osieres forest-path. It was Thibault, on his way to pay a last
Who (or What) Is Designing? Somewhere between the mouse click and the model update, a question sometimes lingers, one that makes architects react with violence. Who is really designing here? “Me,” will answer the architect. “The computer is Just A Tool and I’m in Control.”
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