"All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered."
Speech in the XII edition of the conference “Design the Designer”, organized by the Italian Association of Lighting Designers and held in Milan. We delved into topics such as the influence of technology, the goals of Artificial Intelligence and the impact of its usage when it comes to:
The LinkedIn page of the association is here. Another edition of the same event was held in Rome a few months later.
“My Aunt Margaret’s Mirror” is a short tale by Sir Walter Scott, first published in The Keepsake for 1828, an annual gift book. It belongs to Scott’s later experiments with short fiction and combines family reminiscence, historical anecdote, and supernatural suspense. “There are timesWhen Fancy
Guy de Maupassant’s The Hand (La Main, 1883) is a short Gothic tale built around a Corsican vendetta. First published as La Main in Le Gaulois on December, 23rd 1883 (merry Christmas, I guess), it’s a reworking of Maupassant’s earlier 1875 story La Main d’écorché
“Twilight” is a short supernatural story by Marjorie Bowen, an author I often featured in these seasonal events, and it blends a ghostly atmosphere with a historical setting. It first appeared in Bowen’s 1913 collection God’s Playthings. Three women stood before a marble-margined pool in
“My Aunt Margaret’s Mirror” is a short tale by Sir Walter Scott, first published in The Keepsake for 1828, an annual gift book. It belongs to Scott’s later experiments with short fiction and combines family reminiscence, historical anecdote, and supernatural suspense. “There are timesWhen Fancy
Guy de Maupassant’s The Hand (La Main, 1883) is a short Gothic tale built around a Corsican vendetta. First published as La Main in Le Gaulois on December, 23rd 1883 (merry Christmas, I guess), it’s a reworking of Maupassant’s earlier 1875 story La Main d’écorché
“Twilight” is a short supernatural story by Marjorie Bowen, an author I often featured in these seasonal events, and it blends a ghostly atmosphere with a historical setting. It first appeared in Bowen’s 1913 collection God’s Playthings. Three women stood before a marble-margined pool in
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